Written by Brian Azzarello; Art by Eduardo Risso, and Dave Johnson In this dark and intriguing trade paperback, the mysterious Agent Graves approaches ordinary citizens and gives them an opportunity to exact revenge on a person that has wronged them. Offering his clients an attache case containing proof of the deed and a gun, he guarantees his "clients" full immunity for all of...(展开全部)

A complete catalogue of motion picture techniques for filmmakers. It concentrates on the 'storytelling' school of filmmaking, utilizing the work of the great stylists who established the versatile vocabulary of technique that has dominated the moviessince 1915. This graphic approach includes comparisons of style by interpreting a 'model script', created for the book, in storybo...(展开全部)

In the last five decades, ethical theory has been preoccupied by a turn to reasons. The vocabulary of reasons has become a common currency not only in ethics, but in epistemology, action theory, and many related areas. It is now common, for example, to see central theses such as evidentialism in epistemology and egalitarianism in political philosophy formulated in terms of reas...(展开全部)

彼得•贝尔伍德（Peter Bellwood）：国际著名考古学家，澳大利亚国立大学教授，曾任该校考古学与人类学学院院长，长期担任印度—太平洋史前协会（Indo-Pacific Prehistory Association）秘书长。主要学术专长是从考古学、语言学和遗传学角度研究东南亚和太平洋史前史、全球农业起源及人类迁徙等。著有《人类征服太平洋》（1978）、《印度—马来群岛史前史》（1985）《最早的移民：古代世界人类迁徙》（2013）、《最早的岛民：岛屿东南亚史前史和人类迁徙》（2017）等重要著作。

本书为公版书，为不受著作权法限制的作家、艺术家及其它人士发布的作品，供广大读者阅读交流。汇聚授权电子版权。

Love can be surprising. Love can be heartbreaking. Love can be an art. But love is the singular emotion that all humans rely on most . . . and crave endlessly, no matter what the cost. United by this theme of love, the nine titles in the Penguin Great Loves collection include tales of blissful and all-encompassing, doomed and tragic, erotic and absurd, seductive and adulterous,...(展开全部)

あなたの人生の、ファーストプライオリティ（優先事項）は何ですか？ 31歳、31通りの人生。変わりばえのない日々の中で、自分にとって一番大事なものを意識する一瞬。恋だけでも家庭だけでも、仕事だけでもない、はじめて気付くゆずれないことの大きさ。珠玉の掌編小説集。

This is the first book of Sternfeld's largely unseen early colour photographs. In 1969 Sternfeld began working with a 35 mm camera and Kodachrome film, and First Pictures contains works from this time until 1980. Here Sternfeld develops traits that appear in his mature work: irony, a politicised view of America, concern for the social condition. But there are also pictures that...(展开全部)